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A lighting FX from the end of the play |
I like this Facebook message from the arts critic Christina Kennedy. Not just because it is insightful, intelligent, positive and supportive, but also because it gives me a fresh perspective on the work itself.
It all adds to what I learned in college about 'the authorial fallacy' - you think you've written one thing and every single co-collaborator - audience especially - will find their own interpretation, their own spin, their own way into the story you've created.
It's all about context.
Check it out...
Dear
Jenine, Nick and James... I so wanted to post something while in
Grahamstown but it was so hectic that I had no choice but to go
temporarily AWOL from Facebook.
I just wanted to belatedly
congratulate all of you for crafting the funniest, most enriching and
most rewarding show I saw at festival this year.
The piece is
so beautifully and colourfully written, and James is nothing short of
magnificent. I left the Hangar grinning like a lunatic, and spreading
the "gospel" of Sunday Morning like some demented cult member! Can't
wait to see it again in Jozi very soon.
Well done to all of
you for creating a superbly entertaining piece. It was such a tonic
being able to laugh at this incredible "little big" story after seeing
so many heavy-going shows about race, colonialism, etc.
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